Thursday, May 28, 2009

if memory is a lie then so am I




Proust searched his brain for memories that made the man,
could finally understand that this changed him just by looking --
so he called himself a sentimental realist!

many a prisoner, in walls cast of shadows,
have escaped their fate etched in stone and bars at Guantanamo,
where they remade themselves in the language of pain -

the poetry of misery or bliss to relive a life that past has missed,
to rekindle themselves in the alembic of desire,
their inner fire because of the lie of memory;
I am frisson!

oh, yearning moment, oh, swelling into dreams
come of these needful things, where open skies
and open roads and open fields are little sparks
in open places closed inside of me --

when this lightening sings my body moves
with the ghostly touch of numinous grass and
forgotten fragile flowers, the distant buzz of bee
and echoing twitter of birds sound again inside of me --

inside of memory is me, thereto is the lie where
holes are filled by imagination, a story I call myself where fiction
and reality are hopelessly intertwined, undermining
who I thought was me and too, mine --

this albatross of original stimulus, this verisimilitude of the incongruous,
mutable impressions which fleeting fly dead-away
fall into the deep error of my earnest loom; memory!

the act of remembering changes me, so a fool I have become,
locked in shadows, staring dumb, I shun this outer lock,
sing my songs as they come from now on, making
me in my own image unbecoming,
unfettered,
unfinished,
undone ...

Sunday, May 24, 2009

boys bike amidst the rapping on wheels, breaking tires


3 boys rolling on bikes
freewheeling a day-dream with each other
glad the wet winter is over--

our eyes glitter, we laugh
clik, clik, clikity clik, clikity-clak, clikity-clak
tangential spokes reflect
in the rhythm of glass
embedded in the street
our feet peddling the swing
in what we'd make our song to sing--

our minds race, gripped handle-bars
rubber on hot cement, wrapped fingers,
groove in tar traces, roots of black
softly treaded through chains linked back

everything is going
everything is giving in
round corners, wind streaming
everything is musical
while rap is a chest-out game
we 'rap' each other, eyes laugh-back beat
city-street, breaking, breaking
chains-geared down to the sound
of bodies sing-swing, peddle-pushing
in-out with a shout
stiffen then soft
soft then start to
pull-out, pull-up
we follow each other
breaking tires amidst the rap of wheels
rolling elsewhere anywhere but here
anything goes, everything gives, everything reels

The Gibson Stradivarius:


in Angels & Demons you wept softly,
shimmered your strings in a supine grace,
reached warmly over the edge with
a tremulous honey vibration
rising in crescendo, dripping into shadow,
then onto a deceptive cadence;
your amber rhythms stirred the inchoate
with a chord seared by sweet lament –

Sunday, May 10, 2009

fatal MOMents


our heroes are conflicted
hanging cross-wise
riddled with choices

pock-marks on their skin
topographically hardened by
the spirit of humanity

from the instinctual urge to merge
with all its urgent need, the feast of senses,
those vital moments in the grace of salt-sweat

the sticky sand in her bathing suit
fingered open by an eager bull-dog marine
on her beach of girlish dreams, he'd

leave her there to shiver in anguish
bloody with catholic guilt
while the child she was, lay dying

she sacrificed herself
probing her wounds over 'n over
for some strength in the sore points

she couldn't avoid the larger mission
by going into caves of martyrdom
to float away on some dark ship of no return

she didn't understand social expectations
so became wrought by burden
and a loss for words

she'd refrain from back-room surgery
not knowing the cold-cut of stainless steel
nor redemption from her mothers religion

her blood retreated in shame
the lock was on the door
so she bore me in the secret fear she couldn't bear anymore

Saturday, May 02, 2009

as a requiem unbound would be



I pray in a crescendo, a wound unwound,
softly moving ‘round in the sound
found vibrating inside of me;
a variation, a fusion,
a euphony to black
adversity as a requiem
unbound would be –

the stress of chains,
cacophonous then melodious,
black to black then onto a deceptive
cadence with an end-note tremulous,

a nocturne played under stars
with a tempo easily bent
toward the present perfect tense
in a chord seared by sweet lament –