Tuesday, November 12, 2013

Serendipity: the happenstance of meaning -- the happy dance of gleaning

             Sun 
          mEandering 
            iRonics 
      madE 
         soNics 
         briDge 
connectIng 
  hodgePodge 
   foundlIngs 
         faTal 
    happY 

            wIth
          woNder
 The
 languagE
          noR
 The
           wE're
 Xpanding
      negaTive-space
       langUage-weeps
 After-words
        whirL'd
 
            oF
            dUality,
  tremblinG
 Upon
           thE
     victimS,

sometimes meaning is an arbitrary thing we do to fill in our blank looks -- nevertheless, the thing we do with words to make them wing on feathers dipped in tears and laughter, to mime the looks we give each other, and woo our reader into our serenade of serendipity with the happenstance-of-meaning gleaming from their eyes... 

the happenstance-of-meaning is gleaning that we leak in language; A-lexi–thymia: Literally meaning “no words for emotions.” -- there is Beauty in unfettered language -- like Jazz, it becomes fluid and undulates meaning within the main components of the Poem -- 

the happenstance-of-meaning, foundlings of the great or small
the friction made from rubbing the heart 'n mind together
the imagination aspires from the limits of syntactical-chains
binding us to the tunnel-visions of common sense:
this present imperfect tense 

this present imperfect tense in the happenstance of meaning -- there is Beauty in these fettered phrasings -- as the tongue carries the forms-and-rituals of the word, sounds rolling as a tidal wash upon a wild-worn shore, tumbling, reaching forwards, then, where deep calls to deep, moving back-words for some more... 

intertextual ironics <--> uber-lexical sonics -- the happenstance of meaning is the happy dance of gleaning
                                   intertextual fugues <~> sǝnƃnɟ ןɐnʇxǝʇɹǝʇuıi

Somehow, the level of meaning, intended and happenstance in a write, are co-dependent upon the level of the reader gleaning, i.e., their 'comprehension' their 'wonderment' and all of their 'bad-education.'

it has become evident to me, that the 'meaning' envisioned by the Author will probably have been revisioned by the Reader. Hence the subjective like/dislike quality to the tale told. Engrams or HieroGlyphs branded in the brain via synaptic structures are inter-looped: there where you can gather more dendrites by adding new memories to old thus creating a modular set of precepts in the garnering of meaning. Musing further, to use Socrates validation, 'seeming is often master of the reality' and we therefore need to agree to terms for an agreed meaning to be garnered. To deter the 'revisionist' and march like 'soldier lemmings' off an agreed upon ledge, to 'meanings' fatal fall, to reasons fatal flaw ... that it is co-dependent upon Language=Syntax (agreements of form) for connecting, while Poetry is the flow and rhythm of words, sound-scapes which create meaning from word-movement; reflecting is optional!! and yet we 'disturb' meaning by recreating Language in our own image according to these HieroGlyphic-synaptic modules we've garnered. Subjective intertextual ironics made of objective (echoing Nature) uber-lexical sonics become the happy dance of gleaning meaning.

Language is a bridge, connecting, but the bridge has a syntax you gotta' pay to getta'cross what you wanna' say; Poetry is the stream below, murmuring, reflecting many Suns; meandering modulated-sounds for each 'n everyone!

In the phenomenology of Love coupled with the visceReality of joyousness which frissons up the spine, what remains is our own courage to change the world from inside out withoutta’ doubt, that lost Art of interior-design … it starts with wonder imbued in awe, unbound by the language of ‘reason’ nor by the fatal-skin we’re in, uncluttered with the pitter-patter of patterns promulgated by all of our bad education nor spoilt by the cliché of tribal-mediocrity!

Caput inter nubila condit.
She hides her head among the clouds. 
intertextual fugues 
The happenstance of meaning,
in a hodgepodge of words.
with inherent seeming allured. 
One is Joy, 
another addiction.
Like me, 
like my 
inflated sense
of word.
Flags waving,
look at me,
and my words
we are WRITEoUS!
We are what we
Write.
Write flowers
and streams
and
windy chimes.
Face facts,
Words escape
meaning
with cowardly
defenses like
paragraphs
and
syntactical
alliances.
Prepositions 
pasteurize,
so that whimsy
and
freedom are
battered,
suffering
split infinitives.
Similes with
spiritual
accents
and
distinctive
adaptations of
cunning.
Read liberated, inebriated;
fight the
oppressor, as
the maker of
meaning
is
you! 

    you        
           hear infinity in the conch of your ears hissing there 
                        while liquid last eyes 
                        see the numinous that's moving-us
into an ephemeral shining at the back of the mind,
illuminating the limits of the fatal skin you're-in -- 
let's be
dumb and        
stare at forever!
      let's be  this grinning 
                  empty, drooling,
                        free of meaning, ghost-hunter of the eye...

nevermind worrying in soft murmurs, 
let's linger astutely,  
then hardly at-all,
                then, nonetheless
           when it's all but over,
         wrap it up
            in many Mansions
                    for LotusBlossomslaughter. 

'til it's 
Xpanding negative-space

...from the eye
of a howling-pen,

language-weeps
language-weeps
after-words language-weeps
from the wounds that reason makes;

seeps from the wound of omission,
seeps from some super-scary-SaṃsKāra,
seeps from the whirl'd of tunneling-fear,
seeps from some gimme-gimballed duality,
the wound that is an imperfect rorriM:MirrorRorrim

where they're trembling from the loss,
from their lessons upon the alter, from getting stoned, over and over again,
in the wailing rhythm of suffering;

innocent victims, like you and me,
lost between infinite-Love and "I'm not worthy,"

there, you know, just there where the stretchered edges in longings go,
where we all strive to Love, yet stray only to affection,
and falter lessor still, yes, there where we whimper in the clinging,
instead of weeping for the longing Dream, 
there where were bursting at the seams
of what it all means...
                                             pop
                              there 
where it's dark and deep.

Thursday, March 28, 2013

Al'giber

Abu Mūsā Jābir ibn Hayyān (al-Barigi / al-Azdi / al-Kufi / al-Tusi / al-Sufi), often known simply as Geber, (Arabic: جابر بن حیان‎) (Persian: جابرحیان) (c.721–c.815) hence and cognate the etymology of gibberish, in which arcane mixtures, these 'darkly grace mixtures," which were known to have transmuting properties, which he then oh-oh obfuscated in his Poetic fugues, simply as a precaution; the door-between-worlds, or wormhole in space-time, this frequency-rift, could result in catastrophic consequences for one or both of these instances in alternity -- thus when his Zykir sonics rose in ebullience, in the rhythms that were known to open a portal, his visage would glimmer between worlds ...

Thursday, March 21, 2013

romanticism


the romantics like Blake, Wordsworth, Coleridge, Byron, Shelley, and Keats move us with the rhythms of the numinous -- The Poet is often a Romantic and the vision of Romanticism echoes the Devotional Bhakti Yoga of the East. -- Novalis, the German Romantic Poet wrote, 'We read Poetry to heal the wounds that reason makes,' while I also garden for the same purpose, writing has often been a balm to what is lacking in the, 'please be reasonable' approach to living -- the Poem is never finished, the writer is always writing, grasping at the numinous, the unreasonable - guided by a pen dipped in laughter and tears, hopes and fears - aspired or enthused, drunk or merely called to a task he cannot finish as truth 'n beauty have no beginning nor end -- the writer is the pen and the words he has caught in the wind, a speaking heart singing a longing tale where there is only one Poem, one Story, one Song -- a deeply conflicted Romanticism -- a plaint of Beauty which cannot be captured nor knows any fear, yet is neither consummated in passionate embrace, a kissless kiss, a touchless face -- so sHe goes to that longing Love that shall ne'er be won, peregrinated to follow an ancient aching heart, 'til life is done --
in Romantic Mysticism the longing is often an allusion to the ever seeking Heart yearning for the beloved as the goal is Love; experienced but never sated - Oh, to kiss the beloved with the same kiss the beloved kisses me, and in that kiss live an eternity - Oh, our hearts know this, Love attracts Love, is the secret of the kiss -- and the law of attraction is a sympathetic-vibration, as above, so in you, as you're moved from wonder into awe, your eyes glitter with the beauty that you saw -- all Lovers invent the Beloved and then the Music, the Poem, the Story is always about that -- the Lover makes the music, the Poem, the Story as a texture of that ancient ache, a reality play which changes in innumerable revisions and realizations, forever voyaging with the heart as compass - always going, never arrived - Love has no opposite -- the opposite of hate is discriminating wisdom...

Saturday, January 05, 2013

mantra-trivia in Tibetan



yeah, I use to recite rote mantras in Tibetan 

like the Manjushri's di di di di di di di, man he was juicy concerning mental Mercury n' words that see, clearly - that 'n others reading the scripts on long sheets of idiogrammatics written in 'lil tics -- 

nevertheless, light reaches the eye, bounces around inside 'til chemically driven, you sigh a wonderin' why, all these reflections are a cussin' conjectures 'n objections, becoming brainiacchtungs that are rungs down the ladder of your holes, where all your dirty cloths goes -- 

and you get sick 'n tired of slogging soggy jeans, that means nothing more than you're wired obscene, mired in the darkness of obsessisve bad dreams, dead-locked and it all seems to be about you, about you, oh it's bad -- 

but when all the words fall from synaptic trees, contraries 'n clarities, oh won't you, won't you please, dive deep up there beyond your event horizon, your suffering version of the inner idiot disease, and it's something farther than you'd ever seen with eyes blinded by the light of 'lecktricity, with reflections bouncing off of your mediocrity, back to where you've already been -- 

oh, but you want to, you want to, get it back so bad

after we'd recite in alacrity, we'd meditate on where the words dare not go, 'n learn to relate about what we did already know, in a language only that the heart can show, and it's clear 'cause it's not about you, no, it's not about you, anymore...